![]() While certain countries may seem to claim a larger piece of our experience of Baroque music today, however, every nation played a role. Although Italy played a vital role in the development of these genres, new concepts of what it meant to be a nation increased the imperative of a “national style.” Differences between nations are often audible in music from the period, not only in the way music was composed, but also in conventions of performance particularly obvious was the contrast between Italy and France. (By the mid- eighteenth century, our focus shifts to the German composers Bach and Handel.) Many of the forms identified with Baroque music originated in Italy, including the cantata, concerto, sonata, oratorio, and opera. Many of the well known personalities from the first part of the Baroque period hail from Italy, including Monteverdi, Corelli and Vivaldi. And the growth of a new middle class breathed life into an artistic culture long dependent on the whims of church and court.īack to Top Who were the major Baroque composers, and where were they from? European nations grew more and more involved with foreign trade and colonization, bringing us into direct contact with parts of the globe that were previously unfamiliar. Geniuses like Rubens, Rembrandt, and Shakespeare offered unique perspectives through their art. Great thinkers like Descartes, Hobbes, Spinoza, and Locke tackled the big questions of existence. ![]() Advances in technology, such as the invention of the telescope, made what was believed to be finite seem infinite. ![]() The acceptance of Copernicus’s 16th century theory that the planets didn’t revolve around the earth made the universe a much larger place, while Galileo’s work helped us get better acquainted with the cosmos. In addition to producing the earliest European music familiar to most of us, including Pachelbel’s Canon and Vivaldi’s The Four Seasons, the Baroque era also greatly expanded our horizons. Having long since shed its derogatory connotations, “baroque” is now simply a convenient catch-all for one of the richest and most diverse periods in music history. Comparing some of music history’s greatest masterpieces to a misshapen pearl might seem strange to us today, but to the nineteenth century critics who applied the term, the music of Bach and Handel’s era sounded overly ornamented and exaggerated. What is “baroque,” and when was the Baroque period?ĭerived from the Portuguese barroco, or “oddly shaped pearl,” the term “baroque” has been widely used since the nineteenth century to describe the period in Western European art music from about 1600 to 1750.
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